For many years, I’d drive past this open field and always marvel at how interesting it looked. I loved the overgrown grass, the wide openness and there was an old Infiniti Q45 sitting abandoned and derelict in the distance. It was a set waiting to be photographed. Now, don’t chastise me for taking this long to shoot there but I needed a good reason too and finally, I had one!

Just like the field, I’d known LV for some time as well. We use to work together on a digital magazine some years ago and he’s always expressed admiration and respect for my work. He lives in Canada now but he told me he was coming to Nassau for the holidays and I jumped at the opportunity to photograph this fashionable dude.

Before he arrived we would speak online discussing looks and how we could style him. I had always been inspired by monochromatic fashion so I suggested we shoot him in this theme. We both agreed on a red suit, something that would be clean and very minimalist but I knew with the red in the field, composition-wise would make for some pretty cool images…and yes, LV surprised me on set with a broken wrist and large cumbersome brace around it but I simply looked at it as if were an accessory.

It was great working with LV. He was easy to shoot and ultimately pose and the car was an incredible prop to juxtapose with the model. We even got in some great video with my iPhone Xs Max and DJI Osmo Mobile and I threw together a quick something. You can enjoy the film and images below.

Enjoy!

Kenton Ferguson approached me several months back to help him produce a model portfolio for him. He’d been on this fitness journey for some time and he was starting to get some attention from agencies both local and abroad but the one thing they kept telling him was that he needed more photography. More photos they said! We did a few headshots, simple studio shots and a few lifestyle images of the upcoming model.

So if you press fast forward a few months later, Kenton said that he’s ready to build his portfolio again but with fashion images outside of the studio. As the light bulb goes off in my head, I'm 10 steps ahead of him, thinking of the perfect location and looks Id want him to wear. I told him that this was definitely possible and that we could start planning right away. All the key pieces were already in place.

I had wanted to produce and style a men’s shoot for some time involving suits and style them with multiple pieces and so in this case, Kenton would be my muse. Fine Threads, one of my long-standing clients provided clothing for the shoot and I would call on some of my fashionable friends like Kedar Clarke, Giorgio Knowles, Relish Socks and The Pico Brand to fill in the gaps.

Only 1 thing was missing…a female accomplice for one particular scene. You see, I set up the concept to involve Kenton as a working professional in the Downtown Nassau area. So the frames would consist of him in and around downtown, tagging his co-worker along the way. After we cast Katrina to play the role, local Boutique Chic Couture added specific looks for Kenton’s partner in crime.

2 and a half days of shooting, 1 damsel in distress, nearly 20 hours and 2000 frames later, this is perhaps the biggest shoot I’ve produced for the year. The team came together to kill (figuratively speaking) each set. A water ferry, scooter, closed streets, coffee shops and a trained beast all pieced together this smorgasbord of photography.

It was perfect.