Portraits of Realtor. Private Banker & Watch Collector, Bobby Chen
“Working with Scharad was a cakewalk. He’s a consummate professional full of creative energy along with the perfect timing to capture the essence in every shot. He went above and beyond to ensure that the environment and creative process brought out the best expressions in me and my wife. An absolute pleasure to work with and the finished products are indeed timeless to say the least.”
I met Bobby Chen a few years ago when I did some headshots for the real estate firm he worked for, and he seemed to be a pretty cool dude. As I followed his career path, I noticed he had an interesting portfolio that included cryptocurrency, private banking, and more so, a love for collection luxury and vintage timepieces.
You see, photographers are always looking to add more exciting people to their portfolios. Bobby seemed intelligent, accomplished and we both shared similar interests.
I reached out to Bobby via social media and asked him if he would shoot with me. After explaining my concept some more, he eagerly agreed. I explained to him I would photograph him in a way that timelined what a possible day would look like for him. I made up this story that he’d wake up, take a morning swim, have coffee in bed with his wife before heading to work and I also threw a pseudo modelling career for fun and date night with his beautiful wife, Patrice. We all felt this was going to be a great shoot to execute.
The shot list was simple enough, but I called on friend/stylist Shan Oliver to put all the looks together. Bobby had multiple options for wardrobe from his own closet, so we simply pulled from that to make it work. Working with a stylist is very important; I showed Shan a mood board of looks that I liked, and she was able to put pieces together based on my vision and used her expertise to make each outfit pop. She knows my style is clean and straightforward, so she made the styling the same.
The shoot went relatively smooth and we shot the entire day. Bobby got through it like a champ and with his wife by his side, he was able to confidently knock and model his looks out the park. The team had a great time working with this multifaceted Bahamian.
Bobby Chen by Scharad Lightbourne
Styling: Shan Oliver
Grip: Tameka Petit Homme
Grip: Sammy Rutherford
MUAs: Torkel Dawkins- Patrice’s morning look
MUA: Raven Forbes - Patrice’s evening look
Neil Dames for Gustavus Augusta, photographed by Scharad Lightbourne
Neil Dames in Gustavus Augusta
Grand Bahama native, Gustavus Cox, the creative director of Gustavus Augusta and I sat down in September of 2020 to plan and produce this shoot. One of the first challenges we had was finding the right male model to fit the looks. We had cast about 3 guys prior to. I didn't think about Neil Dames until later in the creative process so when I showed Gus Neil’s social media profiles, he exclaimed, “we need him, he’s perfect for this!”
I wasn't sure that Neil would even agree to do the shoot. He’d retired from modelling for some time now, but I thought he could pull this off. I reached out to him on Facebook and told him what I wanted to do, and Neil immediately said yes...reluctantly. Neil said jokingly, "Now, I'm not as young and fit as I use to be Scharad, so you will have A LOT of work to do!"
He was in love with the idea that we could collaborate together for a local brand and of course, he'd get to wear custom suits!
We did an initial tape up where Gus got to sit down and chat with Neil. After taping him up, Gus assured me that he would have samples ready in two weeks. However, he clarified for me that the first fitting session would probably call for adjustments. Surprisingly, when we met again for fitting, the suits fit Neil perfectly! Both jackets and pants from each look fit him as if they were sewn directly onto his body. Perfection!
On the day of the shoot, everyone was excited to work. Neil followed direction very well and moved very quickly and kept reminiscing on his former days as a model. We even laughed about his grey hair and tattooed covered body, which worked well with the shoot's overall aesthetic. Neil was still in good shape and his genes had kept his frame, lanky and slim.
I kept the lighting dramatic and the background simple and focused on getting great shots with Neil that showed these amazing handmade suits.
Have a look at the work below, leave a comment or two. I’d love to hear from you.
Model: Neil Dames // Stylist + Designer: Gustavus Augusta // Accessories: The Pico Brand
RED OCTOBER sets field on fire in this editorial
Model: LV Adderley
Photographed + Styled by: Scharad Lightbourne
Grips: Rayandra Nairn. Tariq Cartwright
For many years, I’d drive past this open field and always marvel at how interesting it looked. I loved the overgrown grass, the wide openness and there was an old Infiniti Q45 sitting abandoned and derelict in the distance. It was a set waiting to be photographed. Now, don’t chastise me for taking this long to shoot there but I needed a good reason too and finally, I had one!
Just like the field, I’d known LV for some time as well. We use to work together on a digital magazine some years ago and he’s always expressed admiration and respect for my work. He lives in Canada now but he told me he was coming to Nassau for the holidays and I jumped at the opportunity to photograph this fashionable dude.
Before he arrived we would speak online discussing looks and how we could style him. I had always been inspired by monochromatic fashion so I suggested we shoot him in this theme. We both agreed on a red suit, something that would be clean and very minimalist but I knew with the red in the field, composition-wise would make for some pretty cool images…and yes, LV surprised me on set with a broken wrist and large cumbersome brace around it but I simply looked at it as if were an accessory.
It was great working with LV. He was easy to shoot and ultimately pose and the car was an incredible prop to juxtapose with the model. We even got in some great video with my iPhone Xs Max and DJI Osmo Mobile and I threw together a quick something. You can enjoy the film and images below.
Enjoy!
Season 10 from Bahari photographed by Scharad Lightbourne
Season 10 from Bahari Bahamas was a very hard campaign to produce. Designs were redrawn and fabric samples tested multiple times. Being the brands chief photographer, I get a first hand preview before it hits the market. The brands CEO trusts my input (sometimes) and values the feedback that he gets from me. My first response after seeing final samples were, "this is the most mature collection from Bahari yet and I know people are going to love it, its a step in the right direction. " Their newest collection has been a long time coming and shows tremendous growth from the brand.
In planning the campaign photoshoot, there were certain elements that always play an important role in the success of the images. The right team had to have been assembled, the right cast and most importantly the right location. Bahari always seems to discover or use its resources to secure pretty mazing location on the island and this one was no different. our scenic view of beautiful blue Bahamian waters, modern architecture and textured backgrounds gave me all the inspiration I needed to put the mood board together. Once approved, I eagerly awaited shoot day.
My team and I worked consistency throughout the day using the sun to our advantage, and fully making use of the property. Along with the YNGDGRTS team, everything ran smoothly and with great ease from location to location. Shooting in direct sunlight is no joke but I was able to use modifiers, a fan and a powerful strobe to achieve the looks the client approved. See some of the images from the campaign below along with the cinematic shoot video below and do enjoy responsibly.
...until the next post! See you guys again and thanks for reading.
Photography: Scharad Lightbourne
MUA: Erinn Treco
Hair Stylist: Jameelah Thompson
Styling: ProductJoint
Video: Ashley Whitney
Photo Assistants: Kenzi Thompson // Jayden Mcintosh
SEE THE COLLECTION
SEE THE CINEMATIC VIDEO
