Raj & Jamie Capture Stunning Babymoon Portraits in The Bahamas
Embarking on the journey to parenthood is an exciting and transformative experience, and what better way to celebrate this particular time than with a babymoon in paradise? Raj and Jamie did just that, choosing the breathtaking Bahamas as the backdrop for their unforgettable babymoon portraits.
My island provided the perfect setting for Raj and Jamie's photoshoot with its clear turquoise waters, white sand beaches, and breathtaking sunsets. The couple wanted to capture the essence of their love and anticipation as they awaited the arrival of their first child.
Jamie wore a fitting black dress that made her look like a goddess. In a crisp white shirt and trousers, Raj gave us "relaxed Dad elegance," his outfit perfectly matched the tranquil beach. Together, they walked hand in hand along the shoreline, leaving prints in the sand as a reminder of their journey. The gentle waves lapping at their feet and the sound of the ocean created a serene and intimate atmosphere, allowing their genuine emotions to shine through in the photos.
As the day drew close, the sky transformed into a canvas of rich purples, pinks, and gold, creating a stunning backdrop for their final portraits.
Raj and Jamie's babymoon photo shoot in the Bahamas was more than just a series of beautiful pictures; it celebrated their love and growing family and the new adventure awaited them. The stunning landscapes of the Bahamas provided the perfect setting to capture these precious moments, creating a lasting memory they will cherish forever.
Olde Town Lady: A Historic Collection of Modern Day Portraits.
OLDE TOWNE LADY is a series that brings the stories of different generations of Bahamian women out of the shadows and analyzes how they collectively contributed to the culture and traditions that are common and upheld in our Bahamian society today. We aim to theorize and construct the historical knowledge of Bahamian Women through Oral Histories and Creative Interpretations.
Francine Russell in “Olde Town Lady”
OLDE TOWNE LADY is a series that brings the stories of different generations of Bahamian women out of the shadows and analyzes how they collectively contributed to the culture and traditions that are common and upheld in our Bahamian society today. We aim to theorize and construct the historical knowledge of Bahamian Women through Oral Histories and Creative Interpretations.
These women existed in everyone’s family, but their narratives are often overlooked and under-valued. They carried out the underappreciated and undermined labor that was key to sustainable development and the well-being of the family and community. They also protected and transmitted the cultural and social heritage of The Bahamas, with hopes that their labor and stories were not in vain.
Francine is a Co-Principal of The Heritage Partners - a professional services agency specializing in Heritage branding, research, and management.
SHE’S ROYAL
However, to put on a more dignified or elegant appearance. slaves had to fend for themselves. A large part of the small sums of money earned through extra work or selling produce went in purchasing a pair of shoes and at least one set of decent clothing for dances, funerals, or church-going...for the women, a dress and petticoats of good East Indian cotton, a colourful handkerchief for head ties.
Islanders in the Stream: A History of the Bahamian People. Vol. 1, from Aboriginal Times to the End of Slavery. Athens, University Of Georgia Press, 1999.
CHURCH LEADER
Despite the predominance of men as priests and pastors, all churches provided opportunities for women to participate, enhance their respectability, and even lead. In the Anglican and Methodist churches alike, women outnumbered men as Sunday school teachers, and they were invaluable in organizing annual bazaars, fete, and other fund-raising functions.
Craton, Michael, and Gail Saunders. Islanders in the Stream: A History of the Bahamian People. University of Georgia Press, 1998.
BLACK WOMEN SUSTAIN COMMUNITIES
Far fewer women worked as plantation laborers, and most of the men became transients, living in barracks or strange villages during crop-time and being unable to form permanent or stable attachments while women provided the only permanence and stability for children.
Craton, Michael. “Changing Patterns of Slave Families in the British West Indies.” Journal of Interdisciplinary History, vol. 10, no. 1, 1979.
SHARING AND BARTERING
As in Africa, marketing played a large part in the lives of all black New Providence “villagers, and most of the vendors were women. Some sold vegetables and fruits from door to door, others from small stalls outside their yards, at the end of their lanes, or in Grant’s Town small formal market.
Craton, Michael, and Gail Saunders. Islanders in the Stream: A History of the Bahamian People. University of Georgia Press, 1998.
SUBSISTENCE FARMING
The slaves themselves (of whom three-quarters lived at Clifton) had twenty-two family allotments, totalling sixty acres, well planted in-ground provisions. Though much of the area on each farm was "white land" or swamp, and the slaves' provision grounds were not in the best locations, it was possible for a family to sustain itself through the labor of the women and children alone, and the more industrious families produced considerable surpluses for the market in Nassau. Islanders in the Stream: A History of the Bahamian People. Vol. 1, from Aboriginal Times to the End of Slavery. Athens, University Of Georgia Press, 1999.
FROM FIELDS TO FORTUNE
Similarly, the more fortunate and industrious slaves would boast a pitiful handful of extra possessions and marginal luxuries: scissors and dressmaking materials, some specialist tools, a glass or two, and some chinaware (some of it cracked or chipped and passed on from the master), a mirror, combs and trinkets, and a store of clay pipes (which were smoked by women and men alike when they could). Islanders in the Stream : A History of the Bahamian People. Vol. 1, from Aboriginal Times to the End of Slavery. Athens, University Of Georgia Press, 1999.
SEE THE FULL GALLERY
WATCH THE BTS VIDEO
SHOOT CREDITS
Model: Francine Russell
Photographer: Scharad Lightbourne
Stylist: Shan Oliver
Dress Designer: Theodore Sealy
MUA: Ruth Ash Rolle
Hair: Jamell Dawkins
Video: Tony Williams
Video Editor: Craig Walkine
BTS: Rayandra Nairn
Kid Model: Dane Marshall
Male Model: Ricardo Hepburn @DR3amMEdia
Contributors: Dru Hepburn / Maria Hall
Special Thanks
The National Art Gallery of The Bahamas
The Heritage Partners
UB Art Students
Rapper/Singer Chase Fernander kills in ROYALTY: A Maternity Editorial
I wanted to work on something that I'd grown to love in my work. Maternity has been a growing part of my portrait work, and I felt the need to shoot a series that would tie in all the things that are apart of my overall style as a photographer. Lisa Sands, MUA and I have wanted to work together for a while, and when I pitched the idea to her, she loved it. It's just that we needed to put together a team to thoroughly execute the production, oh and we needed a muse!
Several weeks later, during lockdowns and quarantines, we finalized our team and after multiple screenings, decided to approach Chase Fernander, a larger than life rapper/singer here on the island of New Providence. We just needed the ok to meet in person to start work on, ROYALTY.
Our first two looks were edgy, bold and to me, very sharp. Shan, our stylist, really flexed her talent on them so when it came down to look three, I knew I wanted something comfortable, painterly and feminine. In fact, this look was nearly scratched because initially, the team felt it wasn't complete.
The overcoat was mine that conveniently hung in the studio, I usually keep a few pieces for when I shoot male clients. We knew we wanted to use it for the series. So literally minutes to call time I asked Chase in our WhatsApp team group if she'd bring jeans from home. She regrettably had none that fit. I don't know why I asked her to, but I realized that pairing jeans with the coat would be the look I wanted. Shan jumped in and said that she'd turn around, go back home and grab the "perfect pair!" ⠀
This entire shoot was a collaboration between very talented creatives and the planning and time that went into producing the shoot was a massive factor in the success of these images.
ROYALTY ft Chase Fernander
Image: @scharadlphoto⠀
Styling: @_thestylegroup⠀
MUA: @lisa_sands_beauty⠀⠀
Hair: @metamorphosis_bs⠀
Dress: @javiebethell
Props: @jlavishaccents⠀⠀
Film: @truevisionfsc⠀⠀
PA: @amaris_touch @kcbferguson⠀
